Oneeyeskinny's Weblog

My 2 Zone Technique intro.

oneeyeskinny — Tue, 28 Aug 2007 06:56:10 +0000

True Photography consist of two key zones. (Zone A covers subject to film), better known as a negative, ( Zone B covers film to Print), other wise known as a positive. In true photography one can not exist with the other. Digital photography merely records the scene in pixel format, it lacks the required zones which are needed to create a true positive print.
I have added a Zone C to my Black and White Photo Art, this zone determines where colors on the final Black and White print. This Technique allows full control of contrast, composition, and balance of each individual photo.
My Hand coloring Techniques elevates the viewer chromatic thresholds. Color contrast can be easily manipulated to suit artist mood
or expressions simultaneously. I can enhance visual differences between two areas of different luminance or illumination.
I try to highlight the obvious positive in each Photo, I also attempt to accentuate the unseen Beauties of our world.

Hand tinted Black and White photos the classic way.

oneeyeskinny — Tue, 28 Aug 2007 06:48:11 +0000

I want to bring Hand Tinting back in the main stream. Since we have our computers and high tech soft ware we fail to realize that computer generated imagery or photos are not the same as in the past. The reason is, that the computer lacks Zone “A” and Zone “B”. Its merely a copy. All computer generated photos or prints will oxidize or fade. The sole purpose of making Photographs are to record and document historical events. Archiving Photos that are computer generated defeats this goal. In museums you will only find Black and White Photos, they know that any other type of print won’t last long enough to achieve their objective.
When we look back in the early 1800′s we see images that were produced that still exist today. What if our Great masters used pixels to record there Art. They would have never dreamed of wasting there time and effort to gain fame by employing methods other than the Classical techniques to create their Art. When history is written, those who have negatives and Hand developed Prints will have works of Arts that will be priceless.
The Great masters such Van Goghs, Picasso’s, rembrandts, Cezanne’s, Seraut’s, El greco,s, Constables, Botticellis, Angelico’s and Bounnarroti’s would not exist today as we know them if they had used digital assisted soft ware to create their works of Art. I have over 50,000 images and over 90,000 negatives that will be worth more than any digital print made today.
Photo Art has been around in the main stream for quite some time. No one has change or improved on what George Eastman, Joeseph Niepce, Giovanni Battista, Thomas Wedgwood and Louis Jacques Mande Daguerre attempted . The computer can never allow any one the freedom that gives you the ability to capture an image as on sees it. Ansel Adams was the last person to that gave us a new set of rules and technique.
I have develop a “2″ Zone that takes his ideas and the other great Photographers of the past and improve how we see and reproduce our Photos.
Don’t miss out, if you can have the luck of buying a old Photo of the past, you will own tommorrows Picassos’ Van Goghs’ or even an Rembrandt.
The only worth while investment in todays Art Market will be a Hand Tinted Photograph. The other Great works of Art merely exchange owners and becomes more expensive in the process.

My 2 Zone Technique.

oneeyeskinny — Tue, 28 Aug 2007 06:39:23 +0000

I Hand Tint Black and White Photos the Classic way. I have developed a 2 zone technique. In Zone “A” which is subject or object to film. Zone “B” which is film to print. In zone “A” I look for points of interest in the fore ground, middle ground and back ground. I will also look for points of interest at the bottom, in the middle and top. I shoot between f/5.6-f/8.0. Exposure time is usually around 1/60- 1/250.
I develop my Black and White prints using the same f/stops that photo was exposed in Zone “A”. I expose my prints in the dark room the using the same f/stops which prints were shot. In Zone “B” my Exposure time under my enlarger is about 10%-20%. I process my prints using Archival methods which require stripping my prints and then toning them either Selenium, gold, Copper, Sepia, Platinum-Palladium, Antique, Coffee, Tea, Nickel, or Burgundy wine.
When I Hand Tint my Prints, my Points of interest will be Hand colored to give the print a three dimensional effect. I have control of my depth of field, balance and proportion, and composition. The results are based on each scene. I can take any negative even though I did’nt shoot Zone “A” and obtain a work of Art. I can manipulate Zone “B” and create Real eye candy. Pacco J Pompei

Hello world!

oneeyeskinny — Mon, 27 Aug 2007 15:03:05 +0000

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